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  • “We let the artists lead” – Recap Infected Cities #1: New York

    Photo 1, part of from ‘Bronxites’ by Chantal Heijnen, 2020

    Photo: Chantal Heijnen
     
    Photo: Chantal Heijnen

    “We let the artists lead” – Recap Infected Cities #1: New York

    DutchCulture and Pakhuis de Zwijger organize cross-cultural and cross-national conversations about art in corona times. Recap of the first edition, New York.
    19 May 2020

    On May 7th, artists, journalists, and advocates for change appeared over Zoom in the empty studio of Pakhuis de Zwijger, for a conversation led by moderator Zoë Papaikonomou. From their homes in New York, five Dutchman and four Americans gave an insight in their city with stories of inequality, grassroots community resilience, and the undervalued importance of the arts. (video below)

    Kamau Ware during a Black Gotham Tour in New York. Photo by Kamau Studios
    When someone tells you to go home, that is not the same for everybody
    Kamau Ware
    The scale of inequality

    Kamau Ware, historian, artist, and founder of the New York Black Gotham Experience is a storyteller. He states the simple fact of inequality during COVID-19 measurements: “When someone tells you to go home, that is not the same for everybody.” Kamau Ware embeds the wage gap between high- and low-income communities by referring to the history of slavery and forced relocation that the cultural capital of the U.S. was built upon. The different experiences of the COVID-19 crisis in NYC is more than the shade of orange your neighborhood has turned into.

    Dutch actress, writer and podcast host Anousha Nzume writes on her platform Dipsaus: “Classmates of my kid made a videoclip about life in the ‘Food Desert’ – living in a neighbourhood without any affordable options for eating healthy. (…) Even where I live, ordering greasy take-out is more affordable than buying groceries for a healthy home-cooked meal. ’Gun wounds are not our problem, clogged arteries are’, sang the children as they scattered their neighbourhood on 'a search for fresh vegetables they could afford”

    ‘Terrace on the Park Queens’ photo by Richard Koek

    Michael Persson, US correspondent for De Volkskrant believes that the U.S. government is unprepared to provide support on this large scale. “I was in central park yesterday and there are a lot of undocumented immigrants there. They are getting nothing. Which is sort of ironic, as they have been keeping the city alive by working as long as possible.” Countering this lack of government support are civilian initiatives in communities, in which artists play an important role. Kamau Ware: “Artists never shy away from overcoming challenges and that is the spirit that we need going forward. I am optimistic because throughout time, people in New York have been resilient.”

    ‘42nd Street Station Manhattan’ photo by Richard Koek
    We believe in community-based arts, and I think that is what is going to save lives here
    Michael Kember
    Resilience from within

    Activism and community resilience have always been part of New York. It is a Big Apple tradition to enforce change bottom-up and to improve a situation through grassroots initiatives. Providing legal support for people from vulnerable neighborhoods, director Alice Fontier of the Neighbourhood Defender Service in Harlem, is confronted daily by the discrimination of the American justice system. “Immigration has used the stay-at-home orders as a weapon; they know where to find people. Their rates are higher than before the virus.” In jail, the chance of obtaining COVID-19 is ten times higher than average. That is why Alice fights hard to keep people from ending up there.

    Director of the Bronx Documentary Center, Michael Kember, took it upon himself to inform his community in the South Bronx about the importance of self-isolation. Besides stepping in to put flyers in houses and connect people to the internet when the public housing organization failed to do so, the community center is feeding 200 families and providing face masks and disinfectants. In the meantime, their photography classes and exhibitions are moved online and made available free of charge. “We believe in community-based arts, and I think that is what going to save lives here.”

    Photo 2 by Chantal Heijnen from ‘Bronxites’

    Photographer Chantal Heijnen works via The Lantarn Community in New York with people impacted by homelessness. She found a way to keep her students interacting with art because she believes everyone needs a way to express themselves and cope with the situation. Artists in New York City step in where the system is lacking. But how sustainable is the art scene itself?

    Practicing any kind of art form gives you a sense of being present, which I think, heals
    Philippe Lemm
    The importance of art

    Suzy Devalle is the director of New York based Creative Capital, a nonprofit that supports artists nationwide. Backed up by a recent report from Americans for the Arts, she states: “Artists are hurting. 95% of artists surveyed have experienced income lost due to COVID, with 62% fully unemployed. Unlike the Netherlands, we do not have guaranteed health care and unemployment insurance in this country. But despite that they are among the most affected in this crisis, I feel that artists have proven to be the most generous. 75% of artists surveyed are using their artistic practice to help their communities. That generosity of spirit should not be undermined. I think artists play a very critical role in society; they are the ones that bring us together, and I don’t only mean physically. Artists are the ones that encourage conversation and dialogue, they present us with ideas, with ways of seeing the world. I really think they are essential, and often they are the ones helping us navigate uncertain times like these. So why are we not honoring and valuing their profession, why are we not supporting them in ways that we really need to be?”

    In 2018, photographer Richard Koek published a book called New York, New York, a visual hymn on his beloved city. His work received much attention since the crisis started. “People love melancholy, and they love the old New York. It’s all disaster porn what I see on the news and on my feed, so no politics for my feed, I just create beauty, show positivity. I hope it transcends to the people that look at it.”

    Philippe Lemm is a Dutch drummer, the leader of his own musical trio and teacher at Colombia. He lost 90% of his work and can’t apply for financial aid because of his work visa. He believes art has a very strong healing power “Practicing any kind of art form gives you a sense of being present, which I think, heals. It will voice a lot of the emotions that are commonly felt now, like anxiety, confusion, or frustration. Art can present that in a poetic, beautiful way, and therefore connect people.”

    ‘Flatbush Avenue Brooklyn’ photo by Richard Koek
    Imagine if artists were really helping city officials think about how we reopen society
    Suzy Devalle
    Creatively rethinking society

    Considering how artists help their communities with their mental health as well as their physical health, they definitly play an essential role in surviving the COVID-19 crisis in New York City. What is the value of creativity for finding our way out of the corona crisis? Can artists contribute to rethinking society as well?

    Suzy Devalle: ”At Creative Capital, we let the artists lead. Imagine if we were to double down on the creative thinking and ideas that fueled the arts. Imagine if artists were really helping city officials think about how we reopen society. Artists are often ahead of the curve, they are self-organizing, uplifting us through their work. There are horrible challenges – inequalities are really showing their face right now, but also great possibilities to think about the way we want to show up and create a better society. Artists are essential for this kind of critical thinking and idea development.”

    Check upcoming episodes of Infected Cities on the website of Pakhuis de Zwijger

    Do you want to know more about a cultural exchange with the United States of America? Find everything here.

    With great thanks to the Consulate General of the Netherlands in New York for their collaboration.

    Organization: 
    Pakhuis de Zwijger
    Richard Koek
    Philippe Lemm Trio
    Consulate General of the Netherlands in New York
  • What do the numbers say: Edition U.S.A. brings you a summer newsflash on Dutch arts & culture

    View on Seattle

    Photo: Luca Micheli (Unsplash)
     
    Photo: Luca Micheli (Unsplash)

    What do the numbers say: Edition U.S.A. brings you a summer newsflash on Dutch arts & culture

    Looking into the international activities by Dutch artists in the United States in 2018 leads to surprising facts: these cities and festivals are booming!
    6 August 2019
    By Renske Ebbers

     

    DutchCulture hosts the one and only online repository of Dutch international cultural activities abroad, and the summer break is the perfect moment to take a deeper look into this database. As advisors to the cultural field, we often encourage cultural makers with international ambitions to really do their research about the country they want to work in. To learn about the work ethic, the financial structures, the political situation and cultural traditions. And, of course, we urge them to check our database to see who has gone before you, where they went and how they went about it. Better well stolen than badly invented, right? Vice versa, we learn about cultural cooperation with the country in question by listening to you and analyzing your activities abroad.

    Jaap van Zweden. Photo: Chris Lee
    Cultural newsflash

    This advice can be applied specifically to the United States since there are so many paths to choose in this country. With a relentless  24-hour news cycle and the vast amount of entertaining American talk shows, it might be hard to look beyond both intriguing and deterrent political and social news items. You would almost oversee the fact, that 660 Dutch artists and artistic organisations showed their work across the ocean, in 331 different cities in the United States! Therefore, I would like to give you some surprising newsflashes today that will give you insights about the Dutch arts and culture in the U.S.A. Did you know that there are exciting opportunities in all cultural disciplines beyond the top five cities New York, Chicago, Miami, Los Angeles and Las Vegas? Were you aware of the growing Dutch presence on American festivals and fairs? If not, keep on reading!

    Nearly 80% of all the Dutch activities in 2018, took place outside of New York
    “Start spreading the news, I am leaving today...”

    Thinking about the U.S.A., a song like Frank Sinatra often jumps to mind, praising and evoking the city of opportunity: New York. It goes without saying that New York is highly important for arts and culture, as it is the number one city for Dutch activities. However, it is important to point out that close to 80% of all the Dutch activities in 2018, took place outside of New York! In fact, 60% of the activities took place outside of the top five cities: New York, Los Angeles, Chicago, Las Vegas and Miami. And so it emerges - almost like in the old Frank Sinatra song: “if you can’t make it there, you can make it elsewhere.”

    Texas as a cultural hotspot

    To illustrate, I would like to introduce you to the cities six to ten from our 2018 list. I looked into the activities taking place there, and hope to point out interesting opportunities for multiple disciplines that may lead you to undiscovered paths. Shifting our focus to the far south, we find Houston, Dallas and Austin; three cities in the state of Texas.

    In Dallas, we can find activities by Dutch organisations in the disciplines of Audiovisual Media, Heritage, Performing Arts, Visual Arts and Music. Especially Classical Music is thriving in Dallas, since Dutch maestro Jaap van Zweden conducted 18 performances at the Morton H. Meyerson Symphony Center as the musical director of the Dallas Symphony Orchestra. Jaap’s story is a great example of building an international career by starting small; from Dallas, he has now moved on to New York to become the musical director of the New York Philharmonic.

    Houston is also a paradise for Dutch musical geniuses, albeit in a slightly different genre. In 2018, 24 of the best Dutch DJ’s, like Afrojack, Ferry Corsten, Oliver Heldens and Yellow Claw were performing at 8 different venues in Houston! The most popular venues are famous nightclubs Clé Houston and Stereo Live. This makes Houston a great alternative to EDM hotspot Las Vegas, where 37 DJ’s played at 14 venues.

    Austin offers many chances for different disciplines, as well as cross-disciplinary opportunities. Especially artists working on the crossroads of Design, Music and Digital Culture can find recognition at the South by Southwest festival, but I will talk more about that later on. More surprising might be that there were a dozen activities besides SXSW taking place in Austin, for example by theatre group Wunderbaum, who performed at the Fusebox Festival.

    SXSW. Photo: Ryan Loughlin (Unsplash)
    From Seattle to Washington

    Travelling to the other side of the country, (which means a road trip of 3423 kilometres, equivalent to Amsterdam - Antalya), we see a diversity of Dutch organisations present in Seattle. Architect Marten Kuipers gave the lecture ‘Seeing our Invisible City’ at the Design Matters conference, while Zara Dwinger and Saskia Boddeke’s films were presented at the Seattle International Film Festival and the work of visual artists Berndnaut Smilde and Sebastiaan Bremer was exhibited in the Winston Wachter Gallery. Elsewhere, we can think of the translations of Dutch authors that were published by Seattle-based Amazon Crossing, disseminating Dutch literature all across the U.S.A.

    Coming back to the East Coast, we see that Washington offers opportunities for Design, Audiovisual Media, Heritage, Visual Arts and the Performing Arts. For this latter discipline, the John F. Kennedy Center is a venue to follow, since the Dutch Dance Theater and the International Theatre Amsterdam performed several pieces here this year. In 2019 and 2020, the Kennedy Center is one of the main partners of the Dutch Youth Culture programme Never Grow Up!. For more information about this newsflash, read up on the programme here!

    The John F. Kennedy Center is a venue to follow since the Dutch Dance Theater and the International Theatre Amsterdam performed here
    Music festivals are so 2018

    Festivals and fairs are very important for artists who want to explore international ambitions and build an international career. Not only do high-profile festivals provide a good opportunity to show your work, but they also bring together many experts and professionals from the cultural field. Being able to network, find potential partners and catch up with the latest discourses in your field can make all the difference for working abroad. That’s probably why the focus on Dutch presence at annual gatherings keeps on growing and in 2018 already 4 of the top 10 venues were festivals or fairs.

    The most important festival is the previously mentioned South by Southwest (SXSW) festival. The festival focusses on digital and interactive media, film and music, and is especially fond of cross-media projects. In 2018, there were 59 Dutch activities at SXSW, 34 music performances, five film screenings, five design lectures and debates, nine debates and workshops in digital culture, five heritage-related activities and a visual arts performance. The place to be for electronic music is definitely the Electric Daisy Carnaval, with 25 Dutch DJ’s in live action in 2018.

    LGBT flag. Photo: Wikimedia Commons
    Art exhibitions and LGBTQ+ films

    At Art Basel in Miami, generally known as the primary art show for the Americans, the best contemporary and modern artworks from galleries all over the world are exhibited. It requires beating some tough competition to conquer a spot at this fair. However, in 2018 Dutch visual artists were taking their place in the spotlight with ten solo exhibitions and seven group exhibitions in Miami.

    The film festival with the strongest Dutch participation is the Chicago International Children’s Film Festival, as no less than twenty Dutch filmmakers presented their work here in 2018. Dutch work was also presented at the Chicago International Film Festival and the Chicago LGBTQ+ International Film Festival. In fact,19 of the 49 film festivals in the U.S.A. with Dutch presence are specific LGBTQ+ festivals! If that is not a great, positive newsflash, I don’t know what is.

    Stay in touch!

    With this quick summer research in our database, I hope to have given you some positive newsflashes on Dutch Arts and Culture in the U.S.A. If you are an artist or an artistic organisation with serious ambitions to work in the United States, please read the recommendations and tips on the website of the Dutch Consulate General in New York, and check out the Frequently Asked Questions at the United States home page on our website. Here you will also find our database, so you can get started with your own research. Do let us know if you are presenting your work abroad, or if we can help you find your way there.

    Previously we published an interview with the cultural attaché of the Netherlands in New York: Joost Taverne. Read it here.

    Disclaimer Database

     

    File: 
    file type icon Factsheet United States 2018.pdf
  • Culture Talks - Connecting Creatives

    DutchCulture organiseert Culture Talks met cultuurprofessionals uit binnen- en buitenland.

    DutchCulture organiseert regelmatig Culture Talks. Culture Talks zijn inspiratiesessies, workshops of lezingen waarin cultuurprofessionals uit binnen- en buitenland met een internationale blik hun kennis en ervaring delen met geïnteresseerden.

    We nodigen sprekers uit die internationale experts zijn op het gebied van cultuur, media en erfgoed. Dit kunnen kunstenaars, curatoren, trendwatchers, beleidsmakers, wetenschappers, journalisten en makers zijn. Vaak maken de sprekers onderdeel uit van een breder programma van DutchCulture, zoals  van onze internationale bezoekersprogramma’s. Tijdens de Culture Talks is er altijd ruimte voor vragen, uitwisseling en kennismaking. De Culture Talks vinden plaats op het kantoor van DutchCulture, of bij een van onze vele partners in heel Nederland.

    Culture Talks zijn altijd gratis toegankelijk. Hou onze agenda in de gaten voor de volgende Culture Talk! Wil je zelf een Culture Talk met een van onze gasten inpassen in je programma? Neem dan contact op met j.hendriks@dutchculture.nl.

    In 2017 organiseerden we de volgende Culture Talks:

    19 december - programmamakers Mizuho Ishii en Yumiko Fujimoto (JP) en beeldend kunstenaar Seyit Battal Kurt  (NL) over artist-in-residencies in Japan

    26 oktober - Wies Ubags (NL), correspondent Latijns-Amerika over Brazilië en haar slavernijverleden

    12 oktober  – internationale gasten over Liveable Historical Cities

    3 oktober - internationale experts over Fair Practice in de kunsten  

    21 september - IPHAN (BR) over cultural landscapes

    15 september - Marie Le Sourd (FR) van On the Move over internationale culturele mobiliteit

    23 juni - Tom Ruller (USA), de directeur van de New York Archives

    21 juni - Matthew Covey (USA), expert op het gebied van kunstenaarsmobiliteit naar de VS

    16 juni - Zahira Asmal (SA) over hoe Kaapstad een werkelijk inclusieve stad kan worden met al haar culturen, geschiedenissen en identiteiten

    7 april - Aukaanse Marron delegatie uit Suriname 

    15 februari - Zuid-Afrikaanse delegatie over narratieven in Zuid-Afrikaanse musea

     



  • Fundação Getúlio Vargas (FGV), considered one of the 10 best think tanks in the world, has a tradition of excellence in research, innovation and consulting in administration, economics, law, social sciences, and applied mathematics. FGV has academic cooperation agreements with renowned institutions all over the world, which include research, joint projects and exchange of students and professors.

    FGV was founded in 1944. With the initial aim of preparing qualified personnel for public and private administration of the country the FGV overstepped the boundaries of teaching and the advanced areas of research and information. 

    There are schools in Rio de Janeiro, São Paulo and Brasília.

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    Contact



  • USP, as the major institution of higher learning and research in Brazil, is responsible for educating a large part of Brazilian Masters and Ph.D’s. 

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    Contact



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    Contact



  • SPUI25 is an academic-cultural centre located on Spui, Amsterdam’s literary square. As a vibrant forum SPUI25 connects the academic world with the cultural sector in the broadest sense, as its events oscillate between science and imagination, fact and fiction. Almost daily, academics, writers, journalists, critics and creatives take the stage to discuss new findings in science and culture. At SPUI25, different perspectives intersect and produce new insights.

    The venue of SPUI25, which seats 100 guests, hosts discussions, debates and interviews, as well as book presentations, lectures and award ceremonies. With its programmes, the centre targets both the academic community of researchers, lecturers, alumni and students, as well as a wide public with broad literary and cultural interests. In addition, SPUI25 organises events on location either to reach a larger audience or as part of a collaboration with external parties.

    SPUI25 is a forum for serious thinking and aims at visitors who are curious and eager to learn. As an effect, our audience is never a mere observer--there is always a chance to ask questions or test your opinion.

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    Contact



  • The Asia-Europe Foundation (ASEF) promotes greater mutual understanding between Asia and Europe through intellectual, cultural and people-to-people exchanges. Through ASEF, civil society concerns are included as a vital component of deliberations of the ASEM. ASEF was established in February 1997 by the participating governments and organizations of ASEM and has since implemented over 650 projects, engaging over 17,000 direct participants as well as reaching out to a much wider audience in Asia and Europe.

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  • “We let the artists lead” – Recap Infected Cities #1: New York

    Photo 1, part of from ‘Bronxites’ by Chantal Heijnen, 2020

    Photo: Chantal Heijnen
     
    Photo: Chantal Heijnen

    “We let the artists lead” – Recap Infected Cities #1: New York

    DutchCulture and Pakhuis de Zwijger organize cross-cultural and cross-national conversations about art in corona times. Recap of the first edition, New York.
    19 May 2020

    On May 7th, artists, journalists, and advocates for change appeared over Zoom in the empty studio of Pakhuis de Zwijger, for a conversation led by moderator Zoë Papaikonomou. From their homes in New York, five Dutchman and four Americans gave an insight in their city with stories of inequality, grassroots community resilience, and the undervalued importance of the arts. (video below)

    Kamau Ware during a Black Gotham Tour in New York. Photo by Kamau Studios
    When someone tells you to go home, that is not the same for everybody
    Kamau Ware
    The scale of inequality

    Kamau Ware, historian, artist, and founder of the New York Black Gotham Experience is a storyteller. He states the simple fact of inequality during COVID-19 measurements: “When someone tells you to go home, that is not the same for everybody.” Kamau Ware embeds the wage gap between high- and low-income communities by referring to the history of slavery and forced relocation that the cultural capital of the U.S. was built upon. The different experiences of the COVID-19 crisis in NYC is more than the shade of orange your neighborhood has turned into.

    Dutch actress, writer and podcast host Anousha Nzume writes on her platform Dipsaus: “Classmates of my kid made a videoclip about life in the ‘Food Desert’ – living in a neighbourhood without any affordable options for eating healthy. (…) Even where I live, ordering greasy take-out is more affordable than buying groceries for a healthy home-cooked meal. ’Gun wounds are not our problem, clogged arteries are’, sang the children as they scattered their neighbourhood on 'a search for fresh vegetables they could afford”

    ‘Terrace on the Park Queens’ photo by Richard Koek

    Michael Persson, US correspondent for De Volkskrant believes that the U.S. government is unprepared to provide support on this large scale. “I was in central park yesterday and there are a lot of undocumented immigrants there. They are getting nothing. Which is sort of ironic, as they have been keeping the city alive by working as long as possible.” Countering this lack of government support are civilian initiatives in communities, in which artists play an important role. Kamau Ware: “Artists never shy away from overcoming challenges and that is the spirit that we need going forward. I am optimistic because throughout time, people in New York have been resilient.”

    ‘42nd Street Station Manhattan’ photo by Richard Koek
    We believe in community-based arts, and I think that is what is going to save lives here
    Michael Kember
    Resilience from within

    Activism and community resilience have always been part of New York. It is a Big Apple tradition to enforce change bottom-up and to improve a situation through grassroots initiatives. Providing legal support for people from vulnerable neighborhoods, director Alice Fontier of the Neighbourhood Defender Service in Harlem, is confronted daily by the discrimination of the American justice system. “Immigration has used the stay-at-home orders as a weapon; they know where to find people. Their rates are higher than before the virus.” In jail, the chance of obtaining COVID-19 is ten times higher than average. That is why Alice fights hard to keep people from ending up there.

    Director of the Bronx Documentary Center, Michael Kember, took it upon himself to inform his community in the South Bronx about the importance of self-isolation. Besides stepping in to put flyers in houses and connect people to the internet when the public housing organization failed to do so, the community center is feeding 200 families and providing face masks and disinfectants. In the meantime, their photography classes and exhibitions are moved online and made available free of charge. “We believe in community-based arts, and I think that is what going to save lives here.”

    Photo 2 by Chantal Heijnen from ‘Bronxites’

    Photographer Chantal Heijnen works via The Lantarn Community in New York with people impacted by homelessness. She found a way to keep her students interacting with art because she believes everyone needs a way to express themselves and cope with the situation. Artists in New York City step in where the system is lacking. But how sustainable is the art scene itself?

    Practicing any kind of art form gives you a sense of being present, which I think, heals
    Philippe Lemm
    The importance of art

    Suzy Devalle is the director of New York based Creative Capital, a nonprofit that supports artists nationwide. Backed up by a recent report from Americans for the Arts, she states: “Artists are hurting. 95% of artists surveyed have experienced income lost due to COVID, with 62% fully unemployed. Unlike the Netherlands, we do not have guaranteed health care and unemployment insurance in this country. But despite that they are among the most affected in this crisis, I feel that artists have proven to be the most generous. 75% of artists surveyed are using their artistic practice to help their communities. That generosity of spirit should not be undermined. I think artists play a very critical role in society; they are the ones that bring us together, and I don’t only mean physically. Artists are the ones that encourage conversation and dialogue, they present us with ideas, with ways of seeing the world. I really think they are essential, and often they are the ones helping us navigate uncertain times like these. So why are we not honoring and valuing their profession, why are we not supporting them in ways that we really need to be?”

    In 2018, photographer Richard Koek published a book called New York, New York, a visual hymn on his beloved city. His work received much attention since the crisis started. “People love melancholy, and they love the old New York. It’s all disaster porn what I see on the news and on my feed, so no politics for my feed, I just create beauty, show positivity. I hope it transcends to the people that look at it.”

    Philippe Lemm is a Dutch drummer, the leader of his own musical trio and teacher at Colombia. He lost 90% of his work and can’t apply for financial aid because of his work visa. He believes art has a very strong healing power “Practicing any kind of art form gives you a sense of being present, which I think, heals. It will voice a lot of the emotions that are commonly felt now, like anxiety, confusion, or frustration. Art can present that in a poetic, beautiful way, and therefore connect people.”

    ‘Flatbush Avenue Brooklyn’ photo by Richard Koek
    Imagine if artists were really helping city officials think about how we reopen society
    Suzy Devalle
    Creatively rethinking society

    Considering how artists help their communities with their mental health as well as their physical health, they definitly play an essential role in surviving the COVID-19 crisis in New York City. What is the value of creativity for finding our way out of the corona crisis? Can artists contribute to rethinking society as well?

    Suzy Devalle: ”At Creative Capital, we let the artists lead. Imagine if we were to double down on the creative thinking and ideas that fueled the arts. Imagine if artists were really helping city officials think about how we reopen society. Artists are often ahead of the curve, they are self-organizing, uplifting us through their work. There are horrible challenges – inequalities are really showing their face right now, but also great possibilities to think about the way we want to show up and create a better society. Artists are essential for this kind of critical thinking and idea development.”

    Check upcoming episodes of Infected Cities on the website of Pakhuis de Zwijger

    Do you want to know more about a cultural exchange with the United States of America? Find everything here.

    With great thanks to the Consulate General of the Netherlands in New York for their collaboration.

    Organization: 
    Pakhuis de Zwijger
    Richard Koek
    Philippe Lemm Trio
    Consulate General of the Netherlands in New York
  • What do the numbers say: Edition U.S.A. brings you a summer newsflash on Dutch arts & culture

    View on Seattle

    Photo: Luca Micheli (Unsplash)
     
    Photo: Luca Micheli (Unsplash)

    What do the numbers say: Edition U.S.A. brings you a summer newsflash on Dutch arts & culture

    Looking into the international activities by Dutch artists in the United States in 2018 leads to surprising facts: these cities and festivals are booming!
    6 August 2019
    By Renske Ebbers

     

    DutchCulture hosts the one and only online repository of Dutch international cultural activities abroad, and the summer break is the perfect moment to take a deeper look into this database. As advisors to the cultural field, we often encourage cultural makers with international ambitions to really do their research about the country they want to work in. To learn about the work ethic, the financial structures, the political situation and cultural traditions. And, of course, we urge them to check our database to see who has gone before you, where they went and how they went about it. Better well stolen than badly invented, right? Vice versa, we learn about cultural cooperation with the country in question by listening to you and analyzing your activities abroad.

    Jaap van Zweden. Photo: Chris Lee
    Cultural newsflash

    This advice can be applied specifically to the United States since there are so many paths to choose in this country. With a relentless  24-hour news cycle and the vast amount of entertaining American talk shows, it might be hard to look beyond both intriguing and deterrent political and social news items. You would almost oversee the fact, that 660 Dutch artists and artistic organisations showed their work across the ocean, in 331 different cities in the United States! Therefore, I would like to give you some surprising newsflashes today that will give you insights about the Dutch arts and culture in the U.S.A. Did you know that there are exciting opportunities in all cultural disciplines beyond the top five cities New York, Chicago, Miami, Los Angeles and Las Vegas? Were you aware of the growing Dutch presence on American festivals and fairs? If not, keep on reading!

    Nearly 80% of all the Dutch activities in 2018, took place outside of New York
    “Start spreading the news, I am leaving today...”

    Thinking about the U.S.A., a song like Frank Sinatra often jumps to mind, praising and evoking the city of opportunity: New York. It goes without saying that New York is highly important for arts and culture, as it is the number one city for Dutch activities. However, it is important to point out that close to 80% of all the Dutch activities in 2018, took place outside of New York! In fact, 60% of the activities took place outside of the top five cities: New York, Los Angeles, Chicago, Las Vegas and Miami. And so it emerges - almost like in the old Frank Sinatra song: “if you can’t make it there, you can make it elsewhere.”

    Texas as a cultural hotspot

    To illustrate, I would like to introduce you to the cities six to ten from our 2018 list. I looked into the activities taking place there, and hope to point out interesting opportunities for multiple disciplines that may lead you to undiscovered paths. Shifting our focus to the far south, we find Houston, Dallas and Austin; three cities in the state of Texas.

    In Dallas, we can find activities by Dutch organisations in the disciplines of Audiovisual Media, Heritage, Performing Arts, Visual Arts and Music. Especially Classical Music is thriving in Dallas, since Dutch maestro Jaap van Zweden conducted 18 performances at the Morton H. Meyerson Symphony Center as the musical director of the Dallas Symphony Orchestra. Jaap’s story is a great example of building an international career by starting small; from Dallas, he has now moved on to New York to become the musical director of the New York Philharmonic.

    Houston is also a paradise for Dutch musical geniuses, albeit in a slightly different genre. In 2018, 24 of the best Dutch DJ’s, like Afrojack, Ferry Corsten, Oliver Heldens and Yellow Claw were performing at 8 different venues in Houston! The most popular venues are famous nightclubs Clé Houston and Stereo Live. This makes Houston a great alternative to EDM hotspot Las Vegas, where 37 DJ’s played at 14 venues.

    Austin offers many chances for different disciplines, as well as cross-disciplinary opportunities. Especially artists working on the crossroads of Design, Music and Digital Culture can find recognition at the South by Southwest festival, but I will talk more about that later on. More surprising might be that there were a dozen activities besides SXSW taking place in Austin, for example by theatre group Wunderbaum, who performed at the Fusebox Festival.

    SXSW. Photo: Ryan Loughlin (Unsplash)
    From Seattle to Washington

    Travelling to the other side of the country, (which means a road trip of 3423 kilometres, equivalent to Amsterdam - Antalya), we see a diversity of Dutch organisations present in Seattle. Architect Marten Kuipers gave the lecture ‘Seeing our Invisible City’ at the Design Matters conference, while Zara Dwinger and Saskia Boddeke’s films were presented at the Seattle International Film Festival and the work of visual artists Berndnaut Smilde and Sebastiaan Bremer was exhibited in the Winston Wachter Gallery. Elsewhere, we can think of the translations of Dutch authors that were published by Seattle-based Amazon Crossing, disseminating Dutch literature all across the U.S.A.

    Coming back to the East Coast, we see that Washington offers opportunities for Design, Audiovisual Media, Heritage, Visual Arts and the Performing Arts. For this latter discipline, the John F. Kennedy Center is a venue to follow, since the Dutch Dance Theater and the International Theatre Amsterdam performed several pieces here this year. In 2019 and 2020, the Kennedy Center is one of the main partners of the Dutch Youth Culture programme Never Grow Up!. For more information about this newsflash, read up on the programme here!

    The John F. Kennedy Center is a venue to follow since the Dutch Dance Theater and the International Theatre Amsterdam performed here
    Music festivals are so 2018

    Festivals and fairs are very important for artists who want to explore international ambitions and build an international career. Not only do high-profile festivals provide a good opportunity to show your work, but they also bring together many experts and professionals from the cultural field. Being able to network, find potential partners and catch up with the latest discourses in your field can make all the difference for working abroad. That’s probably why the focus on Dutch presence at annual gatherings keeps on growing and in 2018 already 4 of the top 10 venues were festivals or fairs.

    The most important festival is the previously mentioned South by Southwest (SXSW) festival. The festival focusses on digital and interactive media, film and music, and is especially fond of cross-media projects. In 2018, there were 59 Dutch activities at SXSW, 34 music performances, five film screenings, five design lectures and debates, nine debates and workshops in digital culture, five heritage-related activities and a visual arts performance. The place to be for electronic music is definitely the Electric Daisy Carnaval, with 25 Dutch DJ’s in live action in 2018.

    LGBT flag. Photo: Wikimedia Commons
    Art exhibitions and LGBTQ+ films

    At Art Basel in Miami, generally known as the primary art show for the Americans, the best contemporary and modern artworks from galleries all over the world are exhibited. It requires beating some tough competition to conquer a spot at this fair. However, in 2018 Dutch visual artists were taking their place in the spotlight with ten solo exhibitions and seven group exhibitions in Miami.

    The film festival with the strongest Dutch participation is the Chicago International Children’s Film Festival, as no less than twenty Dutch filmmakers presented their work here in 2018. Dutch work was also presented at the Chicago International Film Festival and the Chicago LGBTQ+ International Film Festival. In fact,19 of the 49 film festivals in the U.S.A. with Dutch presence are specific LGBTQ+ festivals! If that is not a great, positive newsflash, I don’t know what is.

    Stay in touch!

    With this quick summer research in our database, I hope to have given you some positive newsflashes on Dutch Arts and Culture in the U.S.A. If you are an artist or an artistic organisation with serious ambitions to work in the United States, please read the recommendations and tips on the website of the Dutch Consulate General in New York, and check out the Frequently Asked Questions at the United States home page on our website. Here you will also find our database, so you can get started with your own research. Do let us know if you are presenting your work abroad, or if we can help you find your way there.

    Previously we published an interview with the cultural attaché of the Netherlands in New York: Joost Taverne. Read it here.

    Disclaimer Database

     

    File: 
    file type icon Factsheet United States 2018.pdf
  • Culture Talks - Connecting Creatives

    DutchCulture organiseert Culture Talks met cultuurprofessionals uit binnen- en buitenland.

    DutchCulture organiseert regelmatig Culture Talks. Culture Talks zijn inspiratiesessies, workshops of lezingen waarin cultuurprofessionals uit binnen- en buitenland met een internationale blik hun kennis en ervaring delen met geïnteresseerden.

    We nodigen sprekers uit die internationale experts zijn op het gebied van cultuur, media en erfgoed. Dit kunnen kunstenaars, curatoren, trendwatchers, beleidsmakers, wetenschappers, journalisten en makers zijn. Vaak maken de sprekers onderdeel uit van een breder programma van DutchCulture, zoals  van onze internationale bezoekersprogramma’s. Tijdens de Culture Talks is er altijd ruimte voor vragen, uitwisseling en kennismaking. De Culture Talks vinden plaats op het kantoor van DutchCulture, of bij een van onze vele partners in heel Nederland.

    Culture Talks zijn altijd gratis toegankelijk. Hou onze agenda in de gaten voor de volgende Culture Talk! Wil je zelf een Culture Talk met een van onze gasten inpassen in je programma? Neem dan contact op met j.hendriks@dutchculture.nl.

    In 2017 organiseerden we de volgende Culture Talks:

    19 december - programmamakers Mizuho Ishii en Yumiko Fujimoto (JP) en beeldend kunstenaar Seyit Battal Kurt  (NL) over artist-in-residencies in Japan

    26 oktober - Wies Ubags (NL), correspondent Latijns-Amerika over Brazilië en haar slavernijverleden

    12 oktober  – internationale gasten over Liveable Historical Cities

    3 oktober - internationale experts over Fair Practice in de kunsten  

    21 september - IPHAN (BR) over cultural landscapes

    15 september - Marie Le Sourd (FR) van On the Move over internationale culturele mobiliteit

    23 juni - Tom Ruller (USA), de directeur van de New York Archives

    21 juni - Matthew Covey (USA), expert op het gebied van kunstenaarsmobiliteit naar de VS

    16 juni - Zahira Asmal (SA) over hoe Kaapstad een werkelijk inclusieve stad kan worden met al haar culturen, geschiedenissen en identiteiten

    7 april - Aukaanse Marron delegatie uit Suriname 

    15 februari - Zuid-Afrikaanse delegatie over narratieven in Zuid-Afrikaanse musea

     



  • Fundação Getúlio Vargas (FGV), considered one of the 10 best think tanks in the world, has a tradition of excellence in research, innovation and consulting in administration, economics, law, social sciences, and applied mathematics. FGV has academic cooperation agreements with renowned institutions all over the world, which include research, joint projects and exchange of students and professors.

    FGV was founded in 1944. With the initial aim of preparing qualified personnel for public and private administration of the country the FGV overstepped the boundaries of teaching and the advanced areas of research and information. 

    There are schools in Rio de Janeiro, São Paulo and Brasília.

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  • USP, as the major institution of higher learning and research in Brazil, is responsible for educating a large part of Brazilian Masters and Ph.D’s. 

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  • SPUI25 is an academic-cultural centre located on Spui, Amsterdam’s literary square. As a vibrant forum SPUI25 connects the academic world with the cultural sector in the broadest sense, as its events oscillate between science and imagination, fact and fiction. Almost daily, academics, writers, journalists, critics and creatives take the stage to discuss new findings in science and culture. At SPUI25, different perspectives intersect and produce new insights.

    The venue of SPUI25, which seats 100 guests, hosts discussions, debates and interviews, as well as book presentations, lectures and award ceremonies. With its programmes, the centre targets both the academic community of researchers, lecturers, alumni and students, as well as a wide public with broad literary and cultural interests. In addition, SPUI25 organises events on location either to reach a larger audience or as part of a collaboration with external parties.

    SPUI25 is a forum for serious thinking and aims at visitors who are curious and eager to learn. As an effect, our audience is never a mere observer--there is always a chance to ask questions or test your opinion.

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  • The Asia-Europe Foundation (ASEF) promotes greater mutual understanding between Asia and Europe through intellectual, cultural and people-to-people exchanges. Through ASEF, civil society concerns are included as a vital component of deliberations of the ASEM. ASEF was established in February 1997 by the participating governments and organizations of ASEM and has since implemented over 650 projects, engaging over 17,000 direct participants as well as reaching out to a much wider audience in Asia and Europe.

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